From the moment that Kim Yu-Na stepped onto international ice for her first season as a junior in the fall of 2004, she carried the weight of the world on her shoulders. Only fourteen years old, she was South Korea's two-time national champion–on the senior level. She had previously competed as a novice internationally and had won both competitions that she had entered. Her junior season was one more step in a journey that had started when she was seven years old. Would she begin to fulfill the potential that those within the small world of Korean figure skating knew she had? She was the best of South Korea's figure skaters, but how would she compare to the best of the world's juniors?
South Korea had no distinguishable legacy of figure skating. Figure skating had historically been dominated by countries such as the United States and Russia. Other countries in Asia such as Japan and China were comparatively new to the sport, but they had broken into the ladies field with pioneering skaters such as Midori Ito in the 1980s and Lu Chen in the 1990s. In 2004, Japan had its third ladies champion on top of the world championships podium with Shizuka Arakawa, while China was dominating pairs with Shen Xue and Zhao Hongbo. Meanwhile, South Korea was still waiting for their first elite skater in any discipline. Would it be Kim Yu-Na?
Yu-Na's coach at this time was Chi Hyun-Jung, who had decades earlier been a figure skater. But behind the scenes, Yu-Na's mother would be playing an important part as well. Yu-Na’s mother had devoted herself to Yu-Na’s figure skating career, and was the one constant in Yu-Na’s figure skating development since she had begun skating.
Yu-Na was keeping her short program from the previous season, set to the music “Snowstorm” by Russian composer Georgi Sviridov, with choreography by Catarina Lindgren. She was debuting a new long program, set to an instrumental version of the song “Papa, Can You Hear Me?” composed by Michel Legrand and famously sung by Barbra Streisand in the film Yentl. Her choreography was done by Canadian skater Jeffrey Buttle and Jadene Fullen. She also had an exhibition program for the first time ever, Michael Jackson’s “Ben”, which she herself had choreographed with Chi Hyun-Jung.
During the first week of September, Yu-Na was in Hungary, preparing to skate in the International Skating Union’s (ISU) Junior Grand Prix (JGP) Budapest. The short program took place on September 3rd. Yu-Na started by landing her opening triple lutz/double toe combination. In her triple loop attempt, she was credited with only a double loop and received negative Grade of Execution (GOE) marks. Yu-Na had mastered all five triple jumps by the age of 12, but the triple loop gave her the most difficulty, and unluckily for her, it was the required triple jump out of footwork in the short program that year for juniors. However, the error turned out to not be too costly, and she led after all the other skaters had finished.
The next day, Yu-Na skated cleanly in her free program and landed all six planned triples, with at least one each of the standard five triples, to win the free program and her first gold medal as a junior. It was also South Korea’s first gold medal in a junior ISU event. Yu-Na could not have asked for a better beginning to the season.
Unknown to Yu-Na, a local skating fan was so surprised and impressed by Yu-Na’s short program performance that she came prepared the next day to capture Yu-Na’s long program on video, recording Yu-Na’s first competition as a junior for posterity. After the competition, posters on a Hungarian general skating forum singled the young girl from Korea out for praise out of the twenty-nine skaters who had competed. There was no way they could have known at the time that they had witnessed the debut of a future figure skating star. But five and a half years later, the Hungarian commentator for the Vancouver 2010 Olympics would note during the ladies long program that Kim Yu-Na had won her first JGP event in Budapest.
2004 JGP Budapest LP
Just two weeks later, Yu-Na was in China to compete in her second JGP event. This competition did not go as well as her first. In the short program, she singled the lutz in her opening jump combination, and was unable to attempt the double toe in combination. She then fell on the triple loop. She still placed fourth in the short, but the mistakes meant that she might have too much ground to make up in the free program.
The next day, Yu-Na came back impressively in the free program, landing five clean triple jumps, this time completing the triple loop that she had fallen on and the triple lutz/double toe combination that she had missed in the short. She had difficulty with her solo triple lutz, but even with a 1 point deduction for a time violation, she easily won the free program over Japan’s Nana Takeda by almost 7 points. However, because of her short program score, she placed second overall and won the silver.
There was a valuable lesson to be learned, one that all experienced skaters know: you cannot win a competition in the short program, but you can lose it. In the days of the 6.0 judging system, you had to place among the top three in order to control your own destiny in the free program. While the current ISU Judging System (IJS) was not so cruel to those who placed below third in the short, skating a clean short program remained important if you wanted to win the gold.
Yu-Na’s second place finish in China meant more than another medal. She had qualified for the Junior Grand Prix Final (JGPF), where eight junior skaters with the highest combined placements on the JGP would compete. Going into the Final, Yu-Na’s placements and points had her ranked as the qualifier with the second highest point total. In fact, one of the factors used as a tiebreaker for qualifying was the total of all scores at both competitions, and on paper, Yu-Na’s total trailed the leader by a mere two points.
The top qualifier was Japan’s Mao Asada, who was the only skater to win both her events on the JGP. She was Japan’s reigning novice champion, and she was the talk of the skating world for including a triple axel in her long program, a jump that had rarely been seen among the ladies, senior or junior, since the days of Midori Ito and Tonya Harding.
Illustrating the depth of the Japanese juniors, three other Japanese skaters had qualified to the JGPF, including Nana Takeda, who had defeated Yu-Na at China. This would also be the first time Yu-Na competed against Kimmie Meissner, the fourth-ranked qualifier who was also the reigning United States junior national champion and the reigning junior worlds silver medalist.
In the short program at the JGPF, Yu-Na opened with her triple lutz/double toe combination. Her triple lutz had impressive distance yet even more impressively, it was done properly, with a clear outside edge. While she had to fight for the landing, she still managed to tack on the double toe in combination. She landed the triple loop but ended her camel spin prematurely, and didn’t attain level 2 spins and spiral as she was capable of doing. But Yu-Na’s graceful arm movements, speed across the ice, and use of her whole body in executing her choreography to the music was remarkable, and noted by the Canadian television commentators. While she looked like a junior physically, she did not move like one. Her presentation skills were already far beyond her years. With a solid, though not perfect performance, Yu-Na received her highest score in the short program yet to date.
Yu-Na led in the short program until the skater heavily favored to win the competition, Mao, took the ice. Skating with speed and confidence, Mao breezed through her short program, hitting all of her jumps and her intended levels on spins, spirals, and footwork. After factoring in the deductions that four judges gave her for the flutz in her opening triple lutz/double loop combination, Mao had done more than enough to win the short program. The judges rewarded her with a 6 point lead, a sizable amount on the senior level and even more significant on the junior level in the short program, where skaters who lead typically do not separate themselves from the rest of the field by that amount.
The next day, Yu-Na struggled in the free program, and had her worst performance of the season with her first fall in that segment. She started off well with her first two jumping passes, but she had multiple errors later on, with the popping of the salchow, falling and underrotating the triple flip, and skipping an intended double axel. After finishing her performance, Yu-Na did not look happy, and the Canadian commentators noted that she was a perfectionist, but was also under a great deal of pressure, skating all day and not going to school and not having a normal life hanging out with friends. Still, they called her a star, a meteorite on the rise.
However, her performance, as judged in a field of the best juniors in the world, gave a hint of Yu-Na’s current technical strengths, and what would be her strengths in the years to come. The two jump combinations that she did complete, her opening triple lutz/double toe and her triple flip/double toe combinations, were perfect, and received the highest GOE for a jump combination of all the skaters. Her layback spin was executed perfectly, with such speed and superior back position, it received the highest GOE of all the skaters as well. The Canadian commentator was in the midst of general commentary when Yu-Na did her layback, causing her to blurt out, “What a stunning layback!” The commentator also noted Yu-Na’s difficult variation in her camel spin, a bent-leg layover camel spin, which hadn’t been done by a ladies skater since Tonya Harding and Josee Chouinard. Her transitions in between elements included an Ina Bauer. Interestingly, the one thing that the Canadian commentators thought was missing were facial expressions to go along with her choreography and music. It was a comment that would not remain true of Yu-Na’s performances in the years to come.
Yu-Na’s score placed her behind Kimmie Meissner in the free, but she placed ahead of Kimmie overall, with Mao still to skate.
As expected, Mao took to the ice prepared with an element that no other current junior or senior lady competed with—the triple axel. Mao made history by landing her opening triple axel at this competition, and landed her remaining jumps to easily win the free program and the JGPF title. She did it all wearing the dress of Midori Ito, her idol.
However, outside of the dress, triple axel, and representing Japan, that is where Mao’s similarities to Midori Ito ended. Midori Ito was known for her amazing athletic ability in the height and distance of all of her jumps as well as her triple axels, but her artistry was often criticized in comparison to her peers. Mao Asada, at age fourteen, already had presentation skills pleasing to the judges, but her jumps, including the triple axel, were comparable to Midori’s in name only. It was clear that Mao Asada was not the next Midori Ito—she was the first Mao Asada.
Due to her short program lead over Kimmie, Yu-Na won the silver and Kimmie the bronze. Kimmie, like Mao, was training a triple axel, however she did not attempt it at this competition.
This was, naturally, the first medal in a JGPF for South Korea. Though Yu-Na bore all the pressure of being Korea’s first elite skater when she stepped onto the ice, she also reaped the rewards of breaking down barriers every time she stepped off of it.
The JGPF was significant in that for the first time, Yu-Na had competed against the very best juniors in the world who had proven themselves over the course of the season, and had again ended up on the podium. In spite of the mistakes at this competition, Yu-Na showed serious quality in her jump combinations, spins, and artistry. It would be a combination of skills, that if perfected, would be everything she needed to become a champion. Whether it would be an Olympic champion, senior world champion or junior world champion was as yet unknown, but Yu-Na’s first chance to become one would be at the 2005 Junior World Championships, where she would face off against the largest group of junior skaters yet. At the JGPF, Yu-Na had not been clean in both segments, and had ended in second place. Perhaps, if she could be clean in both segments as she was capable of doing, the results would be different next time.
2004 JGPF SP
2004 JGPF LP
2004 JGPF EX
Yu-Na and Mao shared many things in common. They were born twenty days apart, and according to the current rules of the ISU, would be too young to compete at the 2006 Olympics in Torino, which was now less than two years away. They were both bright young stars in their country. It was apparent already that they were both extremely talented skaters—though in different ways.
The differences in their situations were almost too many to count as well. Yu-Na was South Korea’s first, best, and so far, only hope for ladies figure skating. Yet figure skating was still a relatively unknown sport in Korea, where sports such as short track speedskating, baseball, and soccer took priority.
The popularity of figure skating in Japan, however, was at a high and continually rising. Japan’s field of ladies skaters was deep and talented at both the junior and senior level, and at that moment in time, both the reigning senior world champion in 2004 (Shizuka Arakawa) and the reigning junior world champion (Miki Ando) were Japanese. Even though Mao was clearly one of their brightest young stars, she was not the only one with talent, nor their only hope for the future.
What Mao Asada and Yu-Na Kim currently meant to their respective countries, with entirely different histories in figure skating, could not be more different.
It cannot be left unsaid that Japan and Korea were historically enemies. Though the two countries were no longer at war, hatred, animosity and negative feelings lived on in both sides through political battles and cultural controversies…and in sports. Any athletic competition always took on an added angle when athletes and teams from each country competed against each other. And now, inevitably, these two fourteen-year-old girls who had dedicated themselves to figure skating long before they had known about the other’s existence, would form the basis of a rivalry that was to last far longer than they could have known when they first competed against each other in December of 2004 in Finland.
After the JGPF was over, Yu-Na returned to Korea. In February of 2005, she easily won her third senior national championship, placing first in both segments in the competition. But what gave Yu-Na the most joy was not getting her third title, but landing her first triple/triple combination. A triple/triple combination was one of the difficult technical skills needed to elevate a good ladies skater to greatness. The 1998 and 2002 ladies Olympic champions had each landed two triple/triple combinations or sequences, and in most years, the World champion landed at least one as well. Yu-Na had begun practicing triple toe/triple toe combinations the previous year, but this was the first time she had attempted it in any competition. She came off the ice with a big, radiant smile, which certainly had been missing at the JGPF. Afterwards, she said, “I'm so happy that I did a triple-triple successfully rather than the winning the event for 3 years in a row.”
Yu-Na also commented on how her first experience on the JGP had motivated her and helped her grow. She said, “Winning on the GP series last year was a great encouragement to me. Watching the other foreign skaters’ performances helped me to work even harder.”
Perhaps Yu-Na was referring to skaters such as Mao Asada and Kimmie Meissner, whom she had shared the podium with at the JGPF. In Japan, Mao won her first junior national championship and placed second in the senior national championships. And in the United States, Kimmie made headlines while finishing third at the United States senior national championships behind Michelle Kwan and Sasha Cohen, because she had landed a triple axel in her free program. Though all three of these skaters had placed high enough at their nation’s senior championships to be named to the senior world team, they were not age-eligible and would be competing at the junior world championships.
Before leaving for the Junior World Championships, Yu-Na was invited to perform her exhibition at the senior Four Continents Championships taking place in her home country, in Gangneung. She had beaten all three of the skaters who would be representing Korea. The highest finisher placed 10th. She was proudly introduced at the gala as Korea’s Junior Grand Prix Final silver medalist.
2005 Four Continents EX
The Junior World Championships would take place in Kitchener, a city in the province of Ontario in Canada. The 1987 Junior World Championships had taken place in Kitchener as well, and Yu-Na’s coach, Chi Hyun-Jung, had competed there. Hyun-Jung herself couldn’t, or wouldn’t, tell reporters of her placement. Would Yu-Na have a placement that was similarly forgettable or memorable?
Yu-Na would have to go through qualifying for the first time. The forty-three skaters competing would be divided into two qualifying groups, and they would each perform their long program. The top fifteen skaters from each group would advance to the short program, but qualifying scores did not factor into the total scores for final placement.
Sorted according to results from the JGPF and JGP, Yu-Na ended up in Qualifying Group B, while Mao and Kimmie were in Group A.
Yu-Na came prepared. She was not going to repeat her performance at the JGPF, and she had dramatically elevated the difficulty of her free program. Having landed a triple toe loop/triple toe loop combination at Korean Nationals, she would attempt it for the first time internationally. A triple/triple combination was still rare among ladies skaters at any level; at the 2005 senior world championships that would take place a few weeks later, only a half-dozen senior ladies would attempt a triple/triple combination or sequence. Yu-Na was following the lead of those ladies. However, Yu-Na did not have the option of including a triple/triple in the short program, due to a then-existing rule that prevented juniors from attempting it.
Yu-Na successfully landed her opening triple toe loop/triple toe loop combination in her qualifying round, and as a nice bonus, she received the highest GOE for this combination of all the ladies attempting a triple/triple in qualifying. She landed a total of seven triples, including the triple loop, and her only deduction was a minor one on her triple salchow. She won her qualifying group easily, despite leaving a few points on the table with the levels of her spins and spiral. She earned 3 points in GOE alone, more than any other skater in qualifying, due to the quality of execution of her elements.
In Qualifying Group A, Mao Asada attempted her triple axel, but it was downgraded and credited as a double axel. However, she successfully completed a triple flip/triple toe loop combination. Like Yu-Na, she had not attempted one at the JGPF. She easily placed first in her group, with the highest Total Segment Score (TSS), highest Technical Element Score (TES), which was composed of the base value of elements completed and GOE, and highest Program Component Scores (PCS) of any skater in both groups.
Surprisingly, the skater with the next highest PCS across both groups was not Yu-Na, but Kimmie Meissner, who had a disastrous qualifying performance with two falls, but still placed fourth in her group. Yu-Na had received higher PCS than Kimmie at the JGPF in both segments of the competition, but not so here.
The current scoring system was still working outs its kinks, and by far, PCS was its biggest kink. PCS for all skaters tended to fluctuate across competitions. Within a competition, there tended to be a correlation between the cleanliness of a program and a skater’s PCS, but not a direct relationship, and some skaters could skate poorly and still receive high PCS, which could be justified—but not always. It was too complicated for the casual fan to grasp, but it would always be an important factor in results. No performance is the same across competitions, but outside of the performance/execution category, a skater’s skating skills, choreography, interpretation, and transitions did not usually change drastically within the season from event to event. Yet their PCS, which judged those aspects, did—sometimes dramatically. There were strict guidelines in rewarding or deducting positive/negative GOE, but the guidelines for PCS were much more vague and open to interpretation.
Here it was difficult to find consistency in the judging within the same competition. Kimmie’s PCS margin over Yu-Na’s was simply bizarre, when comparing what they had just performed, and knowing Yu-Na had already been judged superior in those categories to Kimmie at the JGPF. If they were skaters of equal abilities, how had a cleaner performance from Yu-Na been given lower PCS, by almost six points, than a much more flawed performance by Kimmie? The fact that they had skated in two different groups should not have produced such a large difference, particularly when their performances merited the opposite. Perhaps the fact that Kimmie had landed a triple axel at US Nationals, or the fact that at this competition, she was the reigning junior silver medalist, had caused the judges to re-evaluate her skating and reward it more than they had before. However, qualifying scores did not carry over, so the skaters would be given a fresh start with the short.
In the short program, Yu-Na skated right after Mao had gone into the lead. Yu-Na started off by landing the triple lutz in her opening combination, but it was slightly off balance, which led her to land her double toe loop short of rotation. She was credited only with a single toe loop. Skating with almost too much speed, she came very close to the boards multiple times. She went into her triple loop and fell, crashing right into the boards, causing some people nearby to look over the boards at her in concern. Yu-Na picked herself up and went on, landing a beautiful double axel and avoiding further mistakes.
In the Kiss & Cry area, Yu-Na was clearly not happy with her performance. She hung her head briefly in disappointment when her scores were announced. She would end up in sixth place going into the long program. Kimmie had performed a clean short program and was in third, again with slightly higher PCS than Yu-Na. American Emily Hughes, the younger sister of 2002 Olympic champion Sarah Hughes, was fifth, right ahead of Yu-Na, and Alissa Czisny, also from the US, was in second.
The leader was Mao, who had skated right before Yu-Na. Mao experienced an unusual problem of her own in this performance. Right after she had landed her opening triple lutz/double toe loop combination, she felt a problem with her laces. She stopped the program, skated over to the referee, showed her the laces, and was allowed to fix it and resume her program. She skated the rest of the program strongly and received the highest scores in every category.
As in JGP Harbin, Yu-Na had some ground to make up if she wanted to medal. She was eleven points back of Mao, but a mere four points behind the skater in second place, Alissa Czisny from the USA.
Yu-Na went on to make up those four points, and more. She later admitted her nervousness going into the free because of her mistakes in the short, but that fear did not show in her free program. She was near flawless, from her opening triple/triple combination, hitting her three-jump combination and her triple flip/double toe combination. She hit six triples, though she had replaced the triple loop with a double axel, and she did it all gracefully, with effortless arm movements in tune to the music that some senior skaters could only dream of. The only errors she made were ones not visible to the audience in not maximizing the levels on some of her non-jump elements, but she racked up near five points in total GOE. When it was over, Yu-Na was visibly delighted with her performance—and thrilled with her scores.
The audience gave Yu-Na a long standing ovation, and she was the only skater who did not receive a single mark of negative GOE from any judge in any element. This was a feat that she herself would repeat many years later, at a competition with an entirely different significance.
But at this competition, Yu-Na moved into the lead with Mao still to skate, with her highest score of the season. Yu-Na had skated right after Kimmie, who had errors again, and this time, with the same judges seeing them skate back to back, her PCS inched back up ahead of Kimmie.
Mao, the favorite coming into the competition and the leader after the short program, skated last and skated to victory easily. She made history by landing the much anticipated triple axel, and hit her intended levels in spins, footwork, and spirals, showing easy flexibility in the latter. She again attempted a triple flip/triple toe combination, but this time the triple toe was downgraded to a double toe. But she skated lightly and happily, as if there was nothing in the world weighing her down.
As with Yu-Na, there were a few things missing in this performance that the audience did not notice. Mao did not attempt a triple salchow, unusual because it was considered one of the easier jumps, and her lutz was taking off an inside edge, though the judges did not take any deductions. She did not attempt a 3-jump combination and skipped another intended combination, and her triple flip/triple toe combination had been downgraded. But it didn’t matter. Considering how her triple axel had been downgraded in qualifying and she still received the highest total scores, the message from the judges seemed to be that including this extremely difficult jump elevated Mao significantly above everyone else in every category that a skater could be judged, whether that category was choreography or interpretation.
With the gold, Mao had won the third consecutive women’s junior title for Japan, following in the footsteps of Yukina Ota and Miki Ando. In a result very different from that of her coach, Yu-Na won the silver, the first world junior medal for Korea ever. Yu-Na was unmistakably happy, and aware of the historical significance. Through an interpreter, she said, in contrast to the day of the short program, “But today, I am very happy. I'm very happy about this first world medal in Korean figure skating history.” In a sign of her drive and determination to improve, she added, “Now I have to skate harder to earn better medals.”
While Mao’s gold and Yu-Na’s silver at the JGPF could be considered a fluke if it had only happened once, the repeated placements at worlds caused people to wonder if a pattern—or a rivalry—might be developing. This time, Yu-Na and Mao were joined on the podium not by Kimmie, who had faltered in the free skate, but by Emily Hughes. She had what in retrospect would turn out to be the skate of her life, at age sixteen, just like her sister had in Salt Lake City. Emily’s turn at the Olympics would come next season.
But if thoughts of the next season, better medals, and working harder to improve were on Yu-Na’s mind, she didn’t show it in her exhibition. Yu-Na once again skated to Michael Jackson’s “Ben.” Unlike her exhibition performance at the JGPF, where her disappointing performance seemed to linger into the exhibition, she was perfect here, and her skating was effortless. She knocked off her newly minted triple/triple combination with ease and performed her difficult camel spin variation to the applause of the audience. She seemed carefree now that the last competition of the season was over.
At the gala finale for the junior ladies, Yu-Na shared the ice with Mao Asada, Emily Hughes, Kimmie Meissner, Mira Leung, and Elene Gedevanishvili. Four of those skaters would be competing at the Olympics the following year. But the two skaters who had performed ahead of them by a significant margin would not be there with them.
2005 Junior Worlds SP
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2005 Junior Worlds Gala Finale
After a full season as a junior, it was apparent to viewers, commentators, and judges that Yu-Na had a combination of rare abilities. She had amazing speed across the ice. Her jumping technique was excellent, and she had good height, distance, and flow in her jumps. The quality of her triple/triple combinations was already impressive, as well as the fact that she had two ratified at one competition. And artistically, she moved beautifully with the music, using her whole body to express the emotions of the song, and executing varied movements throughout her program. What were her challenges? She could certainly do a triple loop jump, but it seemed to be the one jump that she was the most insecure about, and it had tripped her up several times that season, when she was required to do the jump out of footwork in the short program. Yu-Na was not naturally flexible, and that meant certain positions that were rewarded under the judging system, such as a Biellmann and extension in the spiral sequence, would not come easily to her. And at age fourteen, the pressure of being Korea’s national champion already appeared to be weighing down on her.
However, these difficulties were not impossible to overcome, if her goal was a championship at any level. Yu-Na only had to look to the champions of the past, who had their own challenges to conquer on their way to victory. Kristi Yamaguchi, two-time World Champion and Olympic champion, easily landed triple lutz/triple toe combinations, but struggled with the triple salchow her entire career. Both Tara Lipinski and Sarah Hughes had been armed with difficult triple/triple combinations, yet had to battle criticisms of their lutzes before winning Olympic gold. Sasha Cohen, the reigning World silver medalist in 2004, was known for her remarkable flexibility and stunning spins and spirals, but people were still waiting for her to put two clean performances together in a single competition. Even Michelle Kwan, two-time Olympic medalist and five-time world champion, endured endless scrutiny over the difficulty of her jump combinations and other aspects of her skating over the course of a career that trailed no one’s in term of longevity, titles, and number of podium finishes.
The results of this season—three silvers, one gold—didn’t completely reflect what Yu-Na was capable of, since her own mistakes tripped her up in the three competitions where she won silver. But she had twice shown the ability to come back from a poor short with a strong free program.
Yu-Na’s accomplishments equaled a successful season for a junior anywhere, let alone a country with no history of elite figure skaters. Though success in juniors did not guarantee success as a senior, it was an indicator of potential and talent in a skater that if properly tapped and nourished, could translate into continued success.
And already, in one season, Yu-Na had accomplished more than any previous Korean skater before her. She hadn’t missed a single podium, and had won Korea’s first medals on the Junior Grand Prix, the Junior Grand Prix Final, and the Junior World Championships. They would not be the last.
Written by jaylee
Thanks to: legend, San_Fran, Common, simemona, ryry, sfinch